The ballet originated in Italy in the 15th century, during the Renaissance. This is the time of court festivities and especially wedding ceremonies, on which a complex stream of dance and music decorated exquisite images.
About classical ballet dance
This system of movements, designed to make the body disciplined, mobile and beautiful, turns it into a sensitive tool, obedient to the will of the choreographer and the performer himself. It has been developed since the ballet has become an equal genre of musical theater, that is, since the 17th century. However, the very term “classical”, which distinguishes this kind of theatrical dance from others – the national characteristic, every day, etc., arose relatively recently, and there is reason to believe that it arose in Russia.
To fix this, you need a short digression into the story. While the ballet as an art has not yet determined itself, the dance in the image was an important part of the synthetic spectacle. Like many modern arts, he appeared in the Renaissance. Even then, the dance played a significant role in the performances of the people’s theater and in religious mysteries, in parade steps and ceremonial departures of mythological characters at princely feasts. At that time, even before its terminological consolidation, the concept of ballet appeared. In the 17th century, when the ballet Dance Academy was founded the ballet left the palace hall for a professional stage and there, finally,
About the same time, the form of the dance, which is now called classical, began to crystallize. This new kind was complicated, for on the one hand the dance was cleared of the clogging effects of court ballroom dance, on the other hand this professional dance gradually began to saturate the elements of virtuosic technique of the dancers and acrobats of the people’s theater at Ballet dance Singapore academy. Selection and synthesis of such elements were carried out by abstraction; the goal was a dance capable, like music, of embodying the most diverse states, thoughts, feelings of a person and his relationship with the world around him.
The turning point in the fate of classical dance was the era of romanticism. But even then, practitioners and theorists have not yet attached the term “classical” to it.
Thus, it can be assumed that it was the need to protect the nobility of content and academicism of the forms of Russian ballet art from the impact of the cancan imported from the West that brought to life the term “classical dance” and gave it universal recognition. At the same time, it was, as it were, a guardian of the Russian ballet, which in the second half of the 19th century became the stronghold of world choreography.